Presets, chord libraries, sequencers, and other similar tools are all the rage right now. If you’re only going to buy one soft synth, this probably isn’t the one, but it can help you flush out your synth collection with a variety of unique and interesting sounds.ĭiversion is available for Windows and Mac. If you don’t mind creating your own patches, though, you’ll probably have a lot of fun with this synth. And to be fair, some of the presets aren’t great. There are 380 presets, but some users felt the synth could have used a few more. The default sound isn’t anything special, and the magic mostly lies in tweaking yourself. The interface is balanced and easy to understand, so long as you don’t get overwhelmed by the sheer number of parameters. There’s a 32-step arpeggiator / sequencer and a 16-step gate module as well, and Diversion uses oversampling up to 8x in a whole processing path, except for the FX section.ĭiversion is a nicely designed synth. Automation and MIDI controllers are supported. Diversion can be modulated with four LFOs, four ADSR envelopes, four MSEGs, and one XY controller (Master Morph). The FX section allows you to stack up to eight effect instances. These contribute to the vast array of sounds Diversion can produce, including Trance, Psy, Dub Step, and Ambient. You can also edit waveforms in time and frequency space while applying different effects.ĭiversion features two bus processors, which come with a stereo filter, distortion, and LO-FI section. Each waveform comes with two parameters X and Y, which let you explore new tonal possibilities.Īlso included is a wavetable editor, which allows you to load arbitrary single cycle WAV files. Computer Magazine gave it a nine out of 10 and liked its feature set, sound quality, presets, and tonal controls.ĭiversion comes with four oscillators and a variety of waveforms (FM and RM synthesis, wave shaping and filtering techniques included). But it doesn’t hurt to have two or three at your disposal, as most producers do.ĭS Audio’s Diversion was designed for use with any electronic music genre. This isn’t to suggest you need every synth under the sun to make great music. When it comes to synths, choice is of the essence. That said, iZotope’s Ozone 9 is the kind of plugin that can help you master your tracks without outside help, and that makes it noteworthy. And this is still the preferred way for many. Obviously, hiring a mastering engineer is one of the most popular ways to get your song mastered. Use the master rebalance, low end focus, imager, equalizer, track referencing, maximizer, spectral shaper, dynamic EQ, exciter, dynamics, vintage modules (tape, limiter, EQ, compressor), and more, to dial in your mastering with confidence and reassurance. You can match your reference track with relative ease, use Tonal Balance Control 2 to talk to other iZotope plugins, and more. With Ozone 9, you can control your lows, mids, and highs with the spectral shaper, low-end focus modules, and other tools. The Master Assistant can even help you tap into your desired results. With a machine learning powered workflow, Ozone 9 allows you to achieve balance, deep low end, instrument separation in real time, and more, with velocity. And Grammy-award winning producer Greg Wells found it powerful and easy to work with. DJ Zinc thought of it as his one-stop mastering tool. Grammy-award winning producer Butch Vid called Ozone his go-to mastering tool. But in this case, we’re focusing specifically on mastering, because that’s what iZotope’s Ozone 9 was built for. Postproduction generally encompasses editing, mixing, and mastering. While making great music is about coming up with dazzling ideas, recording killer hooks and riffs, finding samples that are matched to your lyrical content, spitting dope rhymes, and more, there’s another aspect to recording you simply can’t ignore if you want to drop tracks your fans won’t be able to get enough of – postproduction.
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